![]() The further away you get from the home key, the darker sounding it will get. Choose a base chord that’ll live in the lower voice, and use the rest of the circle of fifths for the upper voices. The best way to start experimenting with polychords is to use the circle of fifths. Now that you know how polychords are built, let’s dig into how you can organize them and use them in your music. ![]() When notating polychords, the chord played in the upper voices will be found on top, with the other chord in the lower voices at the bottom. It’s another way to look at complex harmonic structures to see their component parts. ![]() This will traditionally give you an F major 9 #11 13 chord, but it can also be written as simple as G over F. Now think of the G major chord with the notes G, B, and D. Polychords are another way to express upper extensions, and altered harmonies.įor example, take the F major chord. Using polychords is another way to express upper extensions, and altered harmonies. If you know your music theory, you might already understand extended chords. The only difference in notation is that instead of a slash, there is a horizontal line that splits up the chords. Instead of one note in the bass voice, you’ll have a whole triad or seventh chord.
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